The work «
The light hurries home» offers to look at the programmed luminous flux as a living creature. Despite the fact that light casts hard shadows onto surrounding objects - it does not scare the viewer at all, but on the contrary, the viewer begins to perceive it as a real animal. In this regard, empathy appears. And due to the fact that the light moves as alive, the observer ceases to see a digital object in it.
Video:
Ekaterina Pryanichnikova